In thunderbolt and lightfoot is george kennedys character gay

Thunderbolt and Lightfoot is a American crime comedy film written and directed by Michael Cimino in his directorial debut, and starring Clint Eastwood, Jeff Bridges, George Kennedy and Geoffrey Lewis. [7]. In a series of events that makes textbook movie logic but in the real world would be unbelievably goofy, the dead guy trying to murder Thunderbolt was part of his former gang, and the two remaining members (the perfectly cast George Kennedy and Geoffrey Lewis) are as equally homicidally angry.

The Endless Thunderbolt & Lightfoot Gay/No Way DebateHaving trouble registering? Please feel free to contact us at help [at] We will help you get an account set up. Meanwhile, Thunderbolt and Lightfoot secretly plan to locate and grab the missing loot for themselves.

Thunderbolt and Lightfoot ()

Thunderbolt and Lightfoot is an in thunderbolt and lightfoot is george kennedys character gay film because it delivers the entertainment we expect from an Eastwood vehicle, but there's something off-kilter going on both in and under the text. In his first film, Cimino exhibits mastery of tone. But this is a world stepped in treachery and swindling, and the depraved Red (George Kennedy) and his driver Goody (Geoffrey Lewis) still hold a vindictive and blood-seeped hostility for Thunderbolt due to a presumed double-cross on a previous heist.

It's interesting, because there are a lot of them, but they all have single scenes and play characters who never amount to much. The women all get one scene and then they're out. Dobbs not only remembers, he can name the actress and tell you what became of her. No alternate language options or subtitles are provided. Sign up Log in. It's clear what's going on between them: fags need surrogate fathers too.

The landscapes of the Great Northwest look great. A theme that Cimino revisits with much more depth in The Deer Hunter. Produced by Eastwood, Thunderbolt is tough to pin down—what with its anything-goes combination of comedy, road movie, and crime thriller elements—but an awful lot of fun to watch. The chemistry from not just the title characters, but the supporting cast as well, is as immediate, as it appears effortless.

Before Dobbs started going through his roster of lovelies I never noticed this aspect of the film before. Because he's young??? What about the black girl playing the secretary for one scene with Eastwood when he's working as a welder? Added to the fact that Cimino himself said the gay subtext was intended from the beginning and that the script was inspired by Truman Capote's In Cold Bloodonce you realise such a reading is there, you see it all character gay the place, but it's always extremely subtle and as it's sub-textual it never impedes on the narrative - which is about two apparently straight friends.

The george kennedys that Cousins cites is the great Robin Wood. Eastwood, interestingly, is mostly reactionary in the lead role. Wide shots are a bit wanting in terms of fine detail and clarity, but overall this is a rich viewing experience. In its recent overt treatments of male homosexuality, lightfoot Hollywood thunderbolt and has never dared give us anything comparable to that. With the passing of Geoffrey Lewis last year, George Kennedy in February of this year, and the death of the talented enigma that was Michael Cimino this past June, the closing scene between Eastwood and Bridges out on the open road should resonate as much today as it ever has.

What is the plot of thunderbolt and lightfoot

Much has been written about homosexual undertones between Thunderbolt and Lightfoot through the years and since film is subjective, you can find it if you look hard enough, in the same way you can see it with Sherlock Holmes and Dr. George Kennedy takes an already well-written character and elevates it with one of his finest performances as the impatient, untrusting, bitter, malcontent packed in a powder keg — Red Leary.

Anyway, the commentary must be worth something if it got me to put this much thought into the film. Those still wanting a copy can either buy from the scalpers or wait for the UK version out 23 June. Significantly, from the point in thunderbolt and lightfoot is george kennedys character gay the disguise is adopted, the film keeps the two men apart for as long as possible, and the sexual overtones are restricted again to the implications of the editing.

I hadn't seen it for over 20 years and it had exactly the same effect on me. More interesting for general viewers is the newly recorded commentary track by film historians Lem Dobbs, Julie Kirgo, and Nick Redman. Lincolnthan the Man With No Name.